Using the adapter can cause issues, though. For those players that need to switch back and forth a lot, the best option is to use a horn mouthpiece and mouthpiece adapter. The downside of using a trumpet/mellophone mouthpiece is that switching between the mellophone and French horn is more difficult. For the Bach mouthpieces, get the same model number of the horn mouthpiece you use ( mouthpiece comparison chart). The Blessing 5 has an average inner diameter (17.5mm) for most horn players. The Yamaha MP-14F4 and Blessing 6 are both on the small side for a horn player (about 16.75mm inner diameter), but on the larger side for trumpet players. These three makers (Bach, Blessing, and Yamaha) are all reasonably priced options that make good-quality mouthpieces for the mellophone. You can find the most common 3 makers of mellophone mouthpieces at or at Amazon. It’s easy to find a spare trumpet mouthpiece lying around, and you can see if it fits securely in the leadpipe. The best way to determine which mouthpiece works is trial and error. Some mellophones are designed for shorter and smaller shanks than trumpet mouthpieces, with others are designed to work standard trumpet-style mouthpieces. The problem with some trumpet mouthpieces, however, will be the shank. These (usually) have larger inner diameters, thicker rims, and deeper cups. Some trumpet mouthpieces will work better than others, but in general, you’re going to want either a large trumpet mouthpiece or something designed for flugelhorn. While a mellophone mouthpiece is the best option, a deep and wide trumpet mouthpiece will get you most of the way there. Using a trumpet/mellophone mouthpiece will let you get the best performance out of the mellophone. Neither is perfect, but here are the pros and cons of each as far as I see it. However, not only are there not many mellophone mouthpieces out there, there are fewer with a screw rim. The best option (but one that I haven’t seen done anywhere) is probably #2. A screw rim mouthpiece on your horn and mellophone that let you keep the same rim.Use a trumpet (or mellophone) mouthpiece,.This is because the mellophone takes a mouthpiece with a shank similar in size to a trumpet mouthpiece. Remember that the rim should fit your face, the cup of the mouthpiece should match the horn.įor mellophone, it becomes a bit more complicated. If you have a 2-piece mouthpiece, you can swap out the cups (something smaller and more shallow will make high parts easier) and use the same rim. Keeping the same mouthpiece means that the rim stays the same, which helps both your marching and concert horn playing. Most players should use the same mouthpiece in your marching horn and your concert horn. The Bb marching horn is the same as the Bb side of a double horn.įor the Bb marching horn, mouthpiece selection is straightforward. The mellophone uses trumpet fingerings, while the marching horn uses the trigger fingerings from a standard double horn. It’s certainly more common in Drum and Bugle Corps, and it’s played by both trumpet and horn players there.īoth the mellophone and the marching horn play off of regular French horn parts. While I’m not 100% sure, I imagine the mellophone is more popular. Notice the wider wrap for the longer Bb tubing and the longer valve slides. The short(er) valve slides and trumpet-like mouthpiece give it away. The two most common instruments used in American high school bands are the mellophone and the Bb marching horn. The first thing to do, especially if you’re new to marching horns, is to find out what instrument you have. On this page, I’ll discuss some of the best ways to get more comfortable with your marching instrument and how best to tackle this beast. Some love it, and some dread it, but either way, it’s one of the facts of life for horn players. The time comes to put down the horn (temporarily) and pick up a mellophone or a marching horn. It happens every summer for a majority of high school horn players.
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